李欧梵：美国哈佛大学中国文学教授，曾任芝加歌大学、加州大学洛杉矶校区文学教授。著述包括：《铁屋中的呐喊：鲁迅研究》（中英文版）、《中国现代作家中浪漫的一代》（英文）、《狐狸洞话语》、《现代性的追求》、《范柳原忏情录》（小说）。

李欧梵：美国哈佛大学中国文学教授，曾任芝加歌大学、加州大学洛杉矶校区文学教授。著述包括：《铁屋中的呐喊：鲁迅研究》（中英文版）、《中国现代作家中浪漫的一代》（英文）、《狐狸洞话语》、《现代性的追求》、《范柳原忏情录》（小说）。

China Urban is an ethnographic account of China’s cities and the place that urban space holds in China’s imagination. In addition to in vestigating this nation’s rapidly changing urban landscape, its contributors emphasize the need to rethink the very meaning of the “urban” and the utility of urban-focused anthropological critiques during a period of unprecedented change on loc...(展开全部)

China Urban is an ethnographic account of China’s cities and the place that urban space holds in China’s imagination. In addition to in vestigating this nation’s rapidly changing urban landscape, its contributors emphasize the need to rethink the very meaning of the “urban” and the utility of urban-focused anthropological critiques during a period of unprecedented change on loc...(展开全部)

Nancy Chen is Assistant Professor of Anthropology at University of California, Santa Cruz. Her book manuscript "Breathing spaces: Qigong, Psychiatry and Bodypolitics of late Twentieth Century China" is under revision for publication. Constance Clark teaches in the department of women studies at San Francisco State University. Suzanne Gottschang is Luce Assistant Professor of Ea...(展开全部)

Visual Culture in Shanghai, 1850s-1930s is a study of formal and informal meanings of Haipai ("Shanghai School" or "Shanghai Style"), as seen through the paintings of the Shanghai school as well as other media of visual representation. The book provides us a point of entry into the nexus of relationships that structured the encounter between China and the West as experienced by...(展开全部)

Visual Culture in Shanghai, 1850s-1930s is a study of formal and informal meanings of Haipai ("Shanghai School" or "Shanghai Style"), as seen through the paintings of the Shanghai school as well as other media of visual representation. The book provides us a point of entry into the nexus of relationships that structured the encounter between China and the West as experienced by...(展开全部)

This is the first comprehensive study of popular culture in twentieth-century China, and of its political impact during the Sino-Japanese War of 1937-1945 (known in China as 'The War of Resistance against Japan'). Chang-tai Hung shows in compelling detail how Chinese resisters used a variety of popular cultural forms - especially dramas, cartoons, and newspapers - to reach out ...(展开全部)